Originally published on UAlberta News.
Making a film isn’t a walk in the park, but Conor McNally (BA’15) may have found a way to make it about a walk.
The graduate from the Faculty of Native Studies was in his final semester when he was encouraged to go on a river valley walk with Education professor Dwayne Donald. Donald uses the walks to paint a picture of the Indigenous history of the river valley surrounding the University of Alberta’s North Campus and tell traditional Cree stories. The film, ôtênaw, which is Cree for “a settlement” or “a city”, gives viewers the chance to explore what Donald calls “the pentimento” or layers of Edmonton.
“The thing that really struck me was the delivery,” says McNally about Donald’s walks. “Presenting that history on the land, in the locations he’s talking about and interweaving it with Cree philosophies– I thought, ‘This is the best!’”
The experience inspired McNally to pitch the idea of filming the walk to Donald. McNally sees natural similarities between oral storytelling and film-making, which is why he thought it would make a perfect documentary.
“For Indigenous storytelling, there are limitations to the written word,” McNally explains. “A lot of it is being with people and people feel it differently as opposed to reading it in bed, wearing pyjamas. There’s more respect in person.”
ôtênaw: uncovering the layers of community
Once he got the green light, McNally leveraged some additional resources, such as a freezer full of 16mm film and grants from the Alberta Foundation for the Arts and the Edmonton Arts Council. In ôtênaw, McNally superimposes different shots of the river valley and archival images over Donald’s storytelling. McNally explains that Donald’s narration lead the way for the visuals.
“Looking at the rough edit I had, I’d say ‘it’d be great if I went down to the EPCOR power plant and shot some stuff there’,” says McNally.
McNally utilized another valuable resource while making the film– his community and their artistic skills. With the help of a friend, he reused animated painted slides from another project to emphasize Donald uncovering layers of Edmonton’s history. He also brought in other film-making friends to help him collect extra footage.
“It’s weird to call it ‘my film’ when there’s so many other people involved in every step of it,” says McNally. “The day we filmed Dwayne’s walk, I had this whole crew of people helping. My parents were watching my daughter and they invited the team over for chili after the walk.”
McNally notes that it was easy to connect with Donald beyond the film’s subject matter, bonding over their favourite hockey team, the Oilers.
“We had this moment where Dwayne thought he’d met me before and I was sure we hadn’t, but sometimes you meet someone and you think ‘We could be old friends’,” says McNally.
“I feel like I’ve learned so much from him, especially after watching the film a trillion times!”
The feeling of respect forged between McNally and Donald is mutual.
“Conor is a pretty cool guy and I admire him a lot,” says Donald. “He’s very passionate and committed to doing work that shows connectivities. To be a self-taught filmmaker and employ the sensibilities he does in this film– I love the music, the Elder’s words and the artfullness of it all.”
While Donald wasn’t originally comfortable with the idea of making a film about the river walks and storytelling he shares, he had the sense that something good could come of McNally’s initiative, and trusted him. McNally hopes that viewers take home a little more knowledge about their city and its story.
“All my films are about Edmonton in some way– I was born here and I’m not leaving anytime soon,” explains McNally. “I just want to raise awareness about these stories, because so many Edmontonians have no clue about any of this history. While Dwayne’s walks are free and open to the public, with film, one advantage is that it can be shown across the country. In that regard, I think it’s cool to tell very local stories and share them with a global audience.”